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Primer

by | Apr 14, 2015 | Multimedia

Guitarist Aram Bajakian has performed in hundreds of concerts around the globe with Velvet Underground frontman Lou Reed, John Zorn, Malcolm Mooney, Diana Krall and others. He's been called "a virtuosic jack of all trades" by the Village Voice and has released several albums of critically-acclaimed and guitar-centered artful music. Bajakian’s grandfather was born in Sepastia, and after the Genocide traveled through Aleppo, Marseille and Montreal before finally settling in Central Massachusetts, where he was involved with the Armenian communities of Worcester and Fitchburg. Alan Semerdjian is an Armenian-American writer, musician, and award-winning educator. His poems and essays have appeared in several print and online publications and anthologies over the last fifteen years including Adbusters, Brooklyn Rail, and Newsday. His first full-length book of poems In the Architecture of Bone (GenPop Books, 2009) was called “dynamic” and “well-worth your reading” by Pulitzer-Prize winner Peter Balakian. Semerdjian’s grandfather was the cubist-impressionist (and Genocide survivor) Simon Samsonian, who rose to fame in the Armenian Diaspora in Cairo, Egypt in the 1950s and 60s before coming to America and settling in Queens, NY.

(A Spoken Word Poem and Collaboration with guitarist Aram Bajakian, The Armenian Poetry Project, and The Hye-Phen)

Armenia, you are more than a piece of ass parade on the newsfeed.

Armenia, you are the split decision. Armenia, the schism.

The first tribe to be converted. Armenia is a country of a metaphor

tucked into the folds of breath and veil. In between forever

bordered and borderlust, In love with a mountain felt

in the pit of the groin. This aching, this naming,

this never having, thick with Eurovision’s beard, sick with genocide,

sucking the holy thumb and the Russian cloak spit on with angels,

miles with lambs, cathedrals, monasteries, characters in suits

working on tracks with impeccable shoes, pride cascading down

the runways, more than all of this, a lake cupping the delicious seeds

of history, which may or may not ever break the internet.

I want to write a poem for you, young Armenians from here to there.

I want my poetry to ring loud and clear like a song from a mountain

for all the girls and boys who eat dolma, for the marginalized

who eat dolma, for the wealthy, for all of us ate dolma once in our lives.

I want to make something that makes sense for you and all of them,

and because some poetry just doesn’t make sense with all its matter

of fact witty humor and subtle stabs and no big heart and big laugh,

I want to make a poem that slides off of William Saroyan’s mustache

and lands in a plate of fasulya. I want to write a poem that shines a flash-

light on the dark rooms of my grandfather’s house of art and your grandfather’s

and your great grandmother’s and her sister’s and their brothers’.

I want to make sure that my words don’t alienate but reverberate, make sure

that everyone in Kentucky even, near the beautiful Ohio River, in the Galt House

overlooking the pedestrians, the walkways and highways and in every way

can relate in the heart and in the head. If Tom Sawyer were Armenian,

he’d throw pomegranate seeds at the girl or boy he loved and use the tongue

to make sure each and every last one is tasted and swallowed. If Emily Dickinson

were Armenian, well, she already is – pause and hesitation equal longing,

and longing is what we know, young Armenian beauties, what we use

to mark the time, the great and indifferent calendar of the internal universe,

which is, after all, the only real universe for us or for anyone with a heart.

And if Neruda were, and if Anansi, and if Obama, and if Mother Teresa.

I want to make something, anything, that fills even a part of your void,

young Armenians from here to there, even if you think you’ve filled it up

with prayer, culture, or lahmajoun, friends, miles, or Facebook, modernity or

solemnity, genuflection, navigation, or irrigation for the new gardens

of the world. The void, which is everyone’s void, every nation, every person

forgiving and forgiven. I want to write a poem. And give it to you. Now.

“Primer” is the first version of a spoken word collaboration by Vancouver-based guitarist Aram Bajakian and NYC-based poet, songwriter, and educator Alan Semerdjian. This version, first published here in Hye-Phen and at The Armenian Poetry Project, led to the full-length collection The Serpent and The Crane (April, 2020).

Alan Semerdjian and Aram Bajakian
Guitarist Aram Bajakian has performed in hundreds of concerts around the globe with Velvet Underground frontman Lou Reed, John Zorn, Malcolm Mooney, Diana Krall and others. He's been called "a virtuosic jack of all trades" by the Village Voice and has released several albums of critically-acclaimed and guitar-centered artful music. Bajakian’s grandfather was born in Sepastia, and after the Genocide traveled through Aleppo, Marseille and Montreal before finally settling in Central Massachusetts, where he was involved with the Armenian communities of Worcester and Fitchburg. Alan Semerdjian is an Armenian-American writer, musician, and award-winning educator. His poems and essays have appeared in several print and online publications and anthologies over the last fifteen years including Adbusters, Brooklyn Rail, and Newsday. His first full-length book of poems In the Architecture of Bone (GenPop Books, 2009) was called “dynamic” and “well-worth your reading” by Pulitzer-Prize winner Peter Balakian. Semerdjian’s grandfather was the cubist-impressionist (and Genocide survivor) Simon Samsonian, who rose to fame in the Armenian Diaspora in Cairo, Egypt in the 1950s and 60s before coming to America and settling in Queens, NY.